Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Thursday, February 21, 2013

Blog 17: Fourth Interview Questions

1. What is most important in curating an art show?

2. How do you know which is the best way to showcase an aesthetic?

3. What is the most important thing you learned from your education about art show curating?

4. How do you think the location helps an art show progress?

5. Is there a specific location in the entire world that you think would be the best?

6. What type of art would you choose in the art show and why?

7. What are some of the factors you look at when making at art show?

8. Do you see location as somewhat important or very important and why?

9. Whom is the most inspirational curator to you? What did they do right?

10.  Do you have any special tricks you use to display hard to show items


11. What is the hardest piece you've shown?

12. What is the attendance at your museum?

13. What has your museum done in order to know the demographics that attendm

14. What do you to to appeal to a wider audience?

15. What have your past advertising events been and what was successful about it?

16. What are some of the most vital connections that any art curator must have?

17. What are the best locations to have an art gallery?

18. Why is the location so important?

19. How did you make the connections that you did?

20. Is there any advice you could give to anyone new trying to get into the business?

Sunday, January 13, 2013

Blog 12: Third Interview Questions

1. What is most important in curating an art show?

2. What are some of the struggles you face when you put an art show together?

3. What is the communication with the artist like?

4. How do you normally get someone to sponsor or contribute to the museum?

5. How do you personally start withbcreating an art show?

6. How do you normally come across different concepts?

7. If circumstances allowed it, what is one big change you would enact for the museum?

8. How do you normally handle customers or artists whom are very high strung?

9. What advice would you give to someone going into the field?

10. What do you think is the most important role within a functional museum?